Get to know the history and beauty of Petropolis with transportation and professional guide with all the necessary information for your entertainment and culture. With the royal family residing in Rio de Janeiro, many trips were made crossing the interior of the present state of RJ, In one of these voyages made by Dom Pedro I in 1822, which traveled from Rio de Janeiro to the Golden Path in Minas Gerais, the emperor lodged at the Padre Correia farm in the region. The enchantment was immediate, and there began a love story between Dom Pedro I and the region of Petropolis, which shortly afterwards acquired the then Fazenda do Córrego Seco, which would be called "Petropolis.".
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Originally, the Mother Church of Petrópolis was a modest building located in front of the Imperial Palace, but the construction of a new Matrix was already foreseen, in the present place, in the urbanization plan of Petrópolis, dated 1843, written by Major Júlio Frederico Koeler. Facade of the cathedral. In the 1870s the construction of the new church was reconsidered, thanks to the interest of Dom Pedro II and his daughter, Princess Isabel. In 1871 the construction of a new Matrix was officially decided, but it would take time to materialize. In 1876 the Italian architect Federico Roncetti presented / displayed a project in neo-Renaissance style, that was refused. The current building of the cathedral began to be built only in 1884. The project was commissioned from the Bahian engineer and architect Francisco Caminhoá, who conceived a neo-Gothic style building, very fashionable at the time, especially inspired by the old cathedrals of northern France. The work was carried out by Manuel Pereira Jerônimo's contractor, the son of one of the first families to settle in the city, from Pico Island in the Azores. The construction of the cathedral did not stop after the Proclamation of the Republic and followed until 1901, when the works enter a period of paralysis. Under the command of engineer Heitor da Silva Costa, the work entered a second phase of intense activity in 1918. Finally, on November 29, 1925, the new headquarters of Petrópolis was inaugurated after 37 years of work. The building, however, was not finished, lacking the main façade and the tower, and much of the interior decoration. The works of the facade only began in 1929 and reached rosette level in the 1930s. The tower would only be built between 1960 and 1969. Interior of the Cathedral. In 1920 the decree banning the Imperial Family of Brazil was annulled, and as early as 1921 the remains of Dom Pedro II and D. Tereza Cristina were brought from the Monastery of São Vicente de Fora, in Lisbon, to Rio de Janeiro, where were housed in the Metropolitan Cathedral. In 1925 the remains were transferred to the sacristy of the cathedral of Petropolis. Finally, on December 5, 1939, President Getúlio Vargas and other authorities inaugurated the Imperial Mausoleum, where the Emperor and Empress were finally transferred. In 1971, Princess Isabel and her husband, Count D'Eu were buried in the mausoleum.
in the state of Rio de Janeiro, Brazil. The house of Santos Dumont in Petrópolis is a picturesque residence embedded in a steep locality in the city. Santos Dumont received the invitation to summer in Petrópolis of Princess Isabel, during the golden season of the city during the Empire, and when accepting the invitation decided to build a house that would meet their needs. The street chosen today is called Rua do Encanto and in Petrópolis, the house was nicknamed "A Encantada". The house has some peculiarities, like one of its last inventions that is the shower with hot water, the only one of Brazil at that time, being heated to alcohol, and also the external staircase where one can only start to climb with the right leg, and the internal that can only be raised with the left leg, and the very architecture of the house where no partitions are used between the rooms. The house has three floors, plus an observatory, over the roof.
It was founded in 1853 in the city of Petrópolis, state of Rio de Janeiro, by the German settler Henrique Kremer, then artist with the name of Bohemia brewery. When he died in 1865, the company was left with his heirs, who renamed it Augusto Kremer & Co.. Shortly after a decade with the separation of the partners, the company was in charge of Frederico Guilherme Lindscheid. At the time of its foundation, Bohemia preserved the characteristics of the German beers of the time, with an initial production of six thousand bottles per month. The product was distributed through wagons, cars pulled by animals etc., and sales were made directly. Later, sales were made through dealers in the region of Petrópolis, a mountain region of the state of Rio de Janeiro. Over time, the bitter and strong characteristics of the German beers were being altered to conform to the market of the time and with the competing brands, and the flavor became lighter and less bitter, reaching the point of how it is sold today. With the control in the hands of Frederico, the company changed its name to Imperial Fábrica de Cerveja Nacional and, with his death in 1898, his daughter who was married to Herique Kremer Jr., the grandson of the founder of the company, created the Companhia Cervejaria Bohemia. In 1960 the company was bought by Companhia Antarctica Paulista, with production at the time of ten thousand dozen per month. Currently part of AmBev. In 2002, dark bohemia, Schwarzbier type beer, was launched using rare malts imported from Munich. The difference is a unique color, a special, softer, more inviting flavor and a velvety, full-bodied, creamy froth. In 2003, the Bohemia Weiss was launched. It was also launched the bohemia royall ale, a beer with English recipe, high fermentation and high alcohol content (6%), which results in a strong and strong flavor. In 2005, it was launched the bohemian confraternity, an abbey beer. In 2012, Bohemia reopens the Petrópolis factory remodeled and functioning as a kind of museum and beer memorial, with games and equipment that participant interacts with the factory and shares in their social networks.
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