Livorno Shore Excursion: Pisa and Florence Private Day Trip

Livorno Shore Excursion: Pisa and Florence Private Day Trip

Worry-Free Shore Excursion
Digital
540 minutes
English

When your cruise ship docks in Livorno and you have only a single day to see the surrounding Italian towns of Pisa and Florence, you’ll need a privately guided shore excursion to see the best of these picturesque cities. On this trip from Livorno, immerse yourself in Italian life, explore the historic streets of Florence and see the famous Leaning Tower of Pisa before returning to your cruise ship.

Options

Tour, Driver & Guide Accademia

Tour, Driver & Guide Uffizi

Tour with driver only

Tour, Driver & Guide Accademia

Pisa & Florence private day trip with driver + guide for 3 hours in Florence + skip-the-line entry to the Accademia gallery
Pickup included

From$535.44Per Person

What's included in Livorno Shore Excursion: Pisa and Florence Private Day Trip

(Subject to Option Inclusions)

Itinerary

Leaning Tower of Pisa

The Leaning Tower of Pisa (Torre pendente di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa, known worldwide for its unintended tilt. The tower is situated behind the Pisa Cathedral and is the third oldest structure in the city's Cathedral Square (Piazza del Duomo), after the cathedral and the Pisa Baptistry. The tower's tilt began during construction in the 12th century, caused by an inadequate foundation on ground too soft on one side to properly support the structure's weight. The tilt increased in the decades before the structure was completed in the 14th century. It gradually increased until the structure was stabilized (and the tilt partially corrected) by efforts in the late 20th and early 21st centuries. The height of the tower is 55.86 metres (183.27 feet) from the ground on the low side and 56.67 metres (185.93 feet) on the high side. The width of the walls at the base is 2.44 m (8 ft 0.06 in). Its weight is estimated at 14,500 tons. The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. In 1990 the tower leaned at an angle of 5.5 degrees, but following remedial work between 1993 and 2001 this was reduced to 3.97 degrees, reducing the overhang by 45 cm. It lost a further 4 cm of tilt in the two decades to 2018.

Admission Ticket Not Included

Duomo di Pisa
Pass-by Only

The square of the Duomo of Pisa - dominated by the Cathedral, the Baptistery, the Bell Tower and Graveyard (the Campo Santo) - represents an architectural whole characterized by a really surprising stylistic accordance, to the point of having been compared by Le Corbousier to the acropolis of Athens. The choice of materials, with an almost absolute supermacy of the white marble, and the constant presence of blind arches at the base and practicable small loggias in the upper orders lead to the thought of single project, almost the expression of the group of artists that works well together in the same building site in a relatively short lapse of time. Still, this is the result of long process that saw various architects, sculptors and painters taking turns, in the space of more than three centuries, and amongthem some leading personalities who have marked their epoch. Each visitor entering this space is rapt in the sudden vision of the four monuments, a vision that looks 'miraculous', quoting the fortunate definition coined by D'Annunzio. The buildings seem to spring up from a wide regular lawn, which however dates back to the XIX century, when th square was redesigned in neo-medieval slant, clearing it from many more or less poor buildings and from the vegetable gardens that were still tended there. Also because of these uses, the one of Pisa has no comparison with other medieval squares of the cathedral that, from Parma to Modena, from Siena to Perugia, see the structure of the city radiating from them. Nevertheless, this unusual decentred area has been the spiritual, and not only, heart of the city of Pisa.

Ponte Vecchio

The bridge spans the Arno at its narrowest point where it is believed that a bridge was first built in Roman times, when the via Cassia crossed the river at this point. The Roman piers were of stone, the superstructure of wood. The bridge first appears in a document of 996. After being destroyed by a flood in 1117 it was reconstructed in stone but swept away again in 1333 save two of its central piers, as noted by Giovanni Villani in his Nuova Cronica. It was rebuilt in 1345.Giorgio Vasari recorded the traditional view of his day that attributed its design to Taddeo Gaddi — besides Giotto one of the few artistic names of the trecento still recalled two hundred years later. Modern historians present Neri di Fioravanti as a possible candidate. Sheltered in a little loggia at the central opening of the bridge is a weathered dedication stone, which once read Nel trentatrè dopo il mille-trecento, il ponte cadde, per diluvio dell' acque: poi dieci anni, come al Comun piacque, rifatto fu con questo adornamento. The Torre dei Mannelli was built at the southeast corner of the bridge to defend it. The bridge consists of three segmental arches: the main arch has a span of 30 meters (98 feet) the two side arches each span 27 meters (89 feet). The rise of the arches is between 3.5 and 4.4 meters (11½ to 14½ feet), and the span-to-rise ratio 5:1. It has always hosted shops and merchants who displayed their goods on tables before their premises, after authorization of the Bargello (a sort of a lord mayor, a magistrate and a police authority). The back shops (retrobotteghe) that may be seen from upriver, were added in the seventeenth century. During World War II, the Ponte Vecchio was not destroyed by Germans during their retreat on the advance of the liberating British 8th Army on 4 August 1944, unlike all other bridges in Florence. This was allegedly, according to many locals and tour guides, because of an express order by Hitler. Access to Ponte Vecchio was, however, obstructed by the destruction of the buildings at both ends, which have since been rebuilt using a combination of original and modern design.

Inclusions

  • Private professional English-speaking driver
  • ONLY IF AVAILABLE & RESERVED: 3hr in Florence with private guide & Uffizi skip-the-line tickets
  • ONLY IF AVAILABLE & RESERVED: 3hr in Florence with private guide & Accademia skip-the-line tickets
  • Worry-Free Shore Excursion Guarantee
  • Private transport by air-conditioned sedan or minivan
  • Port pickup and drop-off
  • Gratuities
  • Food and drinks
  • Wheelchair accessible
  • Infants and small children can ride in a pram or stroller
  • Public transportation options are available nearby
  • Specialized infant seats are available
  • Transportation options are wheelchair accessible
  • All areas and surfaces are wheelchair accessible
  • Suitable for all physical fitness levels
  • If you require wheelchair access, please request at time of booking. Only foldable wheelchair are allowed
  • Baby seats are mandatory for infants, please request at time of booking
  • A dress code is required to enter places of worship and selected museums. No shorts or sleeveless tops allowed. Knees and shoulders MUST be covered for both men and women. You may risk refused entry if you fail to comply with these dress requirements
  • IMPORTANT: Accademia Gallery and Uffizi Museum, are NOT AVAILABLE on Mon and the first Sun of the month. You can upgrade your tour to include 3-hour private guide in Florence + timed entrance fees for Accademia or Uffizi, ONLY IF OPTION AVAILABLE AND BOOKED.

Meet

Pickup and Dropoff

Choose to be picked up from a list of locations

Additional Information

Your driver will be waiting on the pier where your ship is docked, holding a sign with the lead traveler name on it

Redeem

Ticket Redemption

Direct access

Opening hours are: 07:00 - 19:00 Monday to Sunday

Operator

Prestige Rent